We Wear the Mask Essay -- Literary Analysis, Paul Laurence Dunbar

William Shakespe atomic number 18 once proclaimed that the past tense is prologue. Are we really bound by history? Is our present a mere continuation, a monomorphic continuation if you will, of the novel that is our existence, or can it be developed in a bifurcated fashion? Paul Lawrence Dunbar, prominently noted as the Poet Laureate of the Negro Race (p 905) is a set up example of how the past can be depicted in a multifold manner. His two deeds We Wear the Mask and An Ante-Bellum Sermon illustrate the double-consciousness that Dunbar was near notorious for. It must be noted, however, that these two works, despite differing in forms of dialect, are conflations of hotshot source, through an intrinsic connection. One will evidently suck both the apparent polarity and hidden exemplification associated with the implementation of wave-particle duality within the aforementioned verses. Dunbars ability to conflate the standard English poesy and the Negro dialect not only enabl es him to illustrate yesterdays hardships but to a fault tomorrows promises, in which each poem in itself epitomizes the properties of bifurcation through juxtaposition and exemplification.To exemplify, Dunbars poem We Wear the Mask utilizes the standard English verse to shed cleverness on the hidden tears and sighs (p 918,1) of African Americans, particularly slaves. As one maneuvers through the poem, he/she will notice a transition of thought, not necessarily of time. In former(a) words, the time frame does not liberation throughout the poem. The past is not a date or a mark on a timeline, it is the previously held belief of the speaker. What shifts is the speakers perspective of the mask. He transitions from mourning the conditions of those wearing it(past view), to perhaps noting its benefits( ... ...s. We fix overtaken, through the two works analyzed above, how the incorporation and recognition of the pastboth in terms of time(Biblical and Antebellum) and thought depicted a metamorphosis within the Negro slave and his ability to transcend this organisation of imprisonment. Du Bois, who coined the term double-consciousness, used it to label persons whose identities were multifaceted in nature. Of course we see Dunbars use of two forms of verse as fitting pieces to the puzzle that is double-consciousness, but, we have yet to realize that we have not found all the pieces. The other pieces lie in the speakers within each poem, as exemplified in this essay. The change of perception, initiated and propelled by the acknowledgement of the past(in multiple forms), can certainly be at the crux of the double-consciousness that defines Paul Laurence Dunbar.